Posts Tagged ‘assembly’

Yesterday I got my programme for Edinburgh Fringe.

Edinburgh is quite simply my favourite time in the entire theatrical calendar – a time when the little companies that normally work throughout the country, touring alone or fleetingly visiting cities, all converge within the space of one tiny street. The Royal Mile is a piece of theatre in itself, with companies vying for your attention by any means necessary – there is performance art, offers of free food, free drink, anything to get you to see their show. What is normally a little sub-culture, where everyone knows everyone, suddenly becomes a massive international event, and everyone wants to join our club!

My first trip to the Fringe was in 2008. During that time I worked at C Venues, working anything from 9 to 16 hour days for barely any pay. I worked night shifts, wired up emergency lighting for an entire 5 storey building despite having no experience whatsoever, I painted, mopped, chopped, sawed, stapled, gaffa’d, tied, swept and wept for 3 weeks, and that was before the fringe even began. But when the fringe begins it’s all worthwhile. It was the post-graduation impetus I needed to make sure I stayed in theatre. It’s the main reason I’m so passionate about innovative theatre, and it introduced me to some of the best companies working in theatre today.

 Receiving the Fringe programme is incredibly exciting; partly just to allow you to plan the visit you’ve been looking forward to all year, but also to give you an idea of where the industry is at this year. What companies have chosen to make the perilous journey up north? Because it certainly is perilous. It is considered a success at the fringe if you break even – and it’s a rare company indeed that goes up there making a huge profit, despite spending thousands on venue hire, living costs and accommodation.

There is an art to reading the Fringe Programme, and it’s very much a ‘How do you eat yours’ dilemma. Obviously, like any sane individual, I jump straight to the theatre section. I then pore over each page, reading the company names first to see if anyone exciting is up. Once the favourite companies have been noted, I’ll go through to find some hidden gems from lesser-known companies – it’s all about the blurb in this part. And then I’ll go through children’s/musical/comedy sections and do the same thing.

 So with that in mind, it’s time to celebrate the wonderful world of theatre, and highlight some of my Fringe Picks meticulously selected from my first few sweeps of the brochure.

 Clockheart Boy -Dumbshow Theatre

Saw this when it was up in 2008 and fell in love with it. Heartbreakingly beautiful – magical, joyous, everything you could want for a fringe piece. Miss it at your peril.

Little Matter – The River People

These are one of my favourite companies working today, and this looks to continue the success of ‘Lilly Through the Dark’ – keeping their home at Bedlam, The River People have their own wagon for this. that’s good enough for me!

 Audience – Ontroerend Goed

After the disturbing, beautiful and slightly baffling ‘Internal’, I’m interested in anything this company has to offer. From the sounds of it, this will, once again, put the audience at the heart of the show.

The Boy James – Belt Up Theatre

Darlings of the Fringe scene, Belt Up, appear to have listened to criticism and scaled down for this fringe. Taking only three actors with them, their season is a muted affair (for them, anyway!) with only three shows in C Soco. I haven’t seen The Boy James yet, so will be favouring that over their two new shows, Outland and Twenty to Nine, which I am certain will arrive in London at some point.

I, Malvolio – Tim Crouch

Having been introduced to Tim with his production of ‘My Arm’, I am continually fascinated by his process and writing choices. Going by past experience, this seems to be about as normal as he gets, so I’m intrigued to see what he does with the character of Malvolio.

What Remains – Grid Iron Theatre

You may have read earlier in this blog, that ‘Decky Does a Bronco’ was one of my highlights of 2010 – and it solely for this reason that I’m going to see ‘What Remains’. They’re a great company, and some of the nicest I’ve worked with when they toured to Oxford last year.

Oedipus – Stephen Berkoff

Something tells me this is going to be the hot ticket this year. You get where this is going, Oedipus seen through the ungouged eyes of Berkoff – what isn’t there to like?

The Wright Brothers – Oxford Playhouse

 Okay, I admit it; I’m a company girl. The people that pay me a lot of money every month are taking their show up this year. Having seen the preview of this already, I’m really interested in how it’s changed, and how a Fringe audience receives it. If the previews were anything to go by, I think this may be an unexpected hit

 Assorted Forest Fringe

At the time of writing, the Forest Fringe programme has not yet been released, but rest assured, I have blocked off many hours to fill with whatever they have to offer. Action Hero are a particular draw for me, but I trust the Forest to provide something interesting no matter what.

 

Notable Absences

Little Bulb Theatre- Though I have been assured by them that they will be appearing BAC Summer Hall at some point – so keep an eye on their schedule!

Dancing Brick – hot on the heels of Thomas Eccleshare’s recent award, it would have been lovely to see them at the Fringe again. One can only assume they’re continuing their international success elsewhere!

Pappys Fun Club – genuinely upset about their absence, and can only hope they’ll be back next year.

 

And that should do it for now. There are many many many more shows I’ll be seeing this year, but that’s just a little taster of what I’m certain will be a spectacular programme. Hope you will all be visiting the ‘Burgh this year – see you up there!

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